Here are nearly 200 posts on Jan and Cora Gordon; famous travellers, writers, artists and musicians in the first half of the 20th century. They were articulate witnesses to the cultures and events of Europe and the USA from before WW1 to just after WW2. The abundance of primary materials presented here should make this a powerful resource for researchers. For a structured overview of the lives and works of the Gordons, please visit: http://www.pbase.com/hajar/art_of_jan_and_cora_gordon
Cora J. Gordon: Sennen Cove and "The Apple" 1920
This July we visited the lovely small town of Sennen Cove in Cornwall. You can look down on the village from a ridge at the top of the hill, a view painted by Jan Gordon in his "Small Coast Town."
I have a copy of the first volume of "The Apple (of Beauty and Discord)" and on the fourth page can be found a reproduction of a woodcut by Cora Gordon showing part of the town of Sennen Cove.
Cora Gordon woodcut of Sennen Cove in "The Apple (of Beauty and Discord)"
The woodcut shows the closely spaced stone houses and the breakwater made of granite blocks. The Roundhouse can also be seen. The view is very similar today. We clambered over the breakwater and explored some of the rock pools.
This is the Sennen Cove breakwater seen in Cora Gordon's woodcut, here shown with two of the grandchildren of Jan Gordon's godson.
"The Apple" was a very short-lived publication with only two volumes issued, in 1920 and 1921. The title refers to the Golden Apple of Discord in Greek mythology.
Title page of the first volume.
The magazine, "A Volume devoted to Art and Letters", contained a very interesting mixture of poems, essays and writings on Art together with reproductions of diverse art works, mainly by the Modern Artists of the day.
The magazine had a very interesting blend of art works and writings.
As with Jan Gordon's "Small Coast Town" painting, recognition in the present of Cora J. Gordon's depiction of the place is a very satisfying experience. Getting on for a century has passed since she made the picture.
Gordon begins with, "To understand sufficiently how the Ostwald Colour system was constructed and to understand how it may be used is not, I believe, as difficult as many would have us think."
The book cover
He recommends the system to artists, "making them more keenly aware of the properties of colours in harmonious associations" and also for use in schools, "by helping pupils to realise what a colour is, what it can do and how it may be combined with other colours."
The achromatic scale and the 8 hues and 24 colour circle (left)
and isotint, isotone and isovalent circles (right)
"The Ostwald system creates a colour space based on dominant wavelength, purity, and luminance, mapping the values of …
in 1966 Myron Nutting remembered Jan and Cora Gordon as among the friends in Paris that they enjoyed the most, "because they were really good fun ... and also were highly cultivated people with interests in all sorts of things. They were good musicians. He was well educated and could discuss any subject, and he saw the humor of life."
"They were not producing anything of any vast importance but they enjoyed doing their work, which was writing. They made their living with their books, and every year they got out a travel book. Also h…
Jan Gordon's article elaborates on the distinction between camouflage designed to make an object blend in with its background and dazzle designed to confuse an attacker: " and so the word camouflage, with its associations, has been dropped in favour of the more appropriate word "dazzle-painting"". I illustrated this distinction in the February 2013 article by contrasting the daily camouflage activities of my pet cuttlefish ("Ramses") with the startling black and white "deimatic" patterns displayed during an escape from a perceived threat.