Here are nearly 200 posts on Jan and Cora Gordon; famous travellers, writers, artists and musicians in the first half of the 20th century. They were articulate witnesses to the cultures and events of Europe and the USA from before WW1 to just after WW2. The abundance of primary materials presented here should make this a powerful resource for researchers. For a structured overview of the lives and works of the Gordons, please visit: http://www.pbase.com/hajar/art_of_jan_and_cora_gordon
"Phrynette's Letters to Lonely Soldiers" 1916 recommends "The Luck of Thirteen"
A chatty review of "The Luck of Thirteen" by Marthe Troly-Curtin, appears in her "Phrynette's letters to lonely soldiers" segment in "The Sketch" of April 19th 1916.
She enjoyed "the funny little thumbnail sketches (minute masterpieces by Jo)." and the "rich mine of humour" that they worked with "pen and ink and paint-brush."
She quotes the observation in the book on the handsome Montenegrin peasanty: "We passed many peasants and had evidently enetered the land of Venus, for each one was more beautiful than the neighbour. Since Jabliak we had not seen an ugly man or woman, and the dignity of their carriage was exceeded only by the nobleness of their features. Ugly women must be valuable in those parts, and probably marry early - humans ever prize the rare above the beautiful."
Troly-Curtin also quoted the descriptions of Jan's elaborate protection against the rain and Jo's knitted concertina stockings as well as the scene of dancing on a feast day. She concludes with, "But, there, I cannot quote the whole book : read it for yourself."
For more on books by the Gordons set during WW1, see here.
For more on "Father Berry" in WW1 Serbia, see here.
For more on the "living snake" of the Serbian retreat, see here.
The story of how the book came to be published is told here.
Gordon begins with, "To understand sufficiently how the Ostwald Colour system was constructed and to understand how it may be used is not, I believe, as difficult as many would have us think."
The book cover
He recommends the system to artists, "making them more keenly aware of the properties of colours in harmonious associations" and also for use in schools, "by helping pupils to realise what a colour is, what it can do and how it may be combined with other colours."
The achromatic scale and the 8 hues and 24 colour circle (left)
and isotint, isotone and isovalent circles (right)
"The Ostwald system creates a colour space based on dominant wavelength, purity, and luminance, mapping the values of …
Jan Gordon's article elaborates on the distinction between camouflage designed to make an object blend in with its background and dazzle designed to confuse an attacker: " and so the word camouflage, with its associations, has been dropped in favour of the more appropriate word "dazzle-painting"". I illustrated this distinction in the February 2013 article by contrasting the daily camouflage activities of my pet cuttlefish ("Ramses") with the startling black and white "deimatic" patterns displayed during an escape from a perceived threat.
Earlier this year (April 21st) I wrote on a 1935 book dedication by Jan and Cora Gordon to Richard and Charlotte Perry, two friends living in Connecticut, USA.
Richard and Charlotte had hosted the Gordons in 1927, at the start of the journey recorded in "On Wandering Wheels." The Gordons had arrived in New York on the "American Merchant", May 10th 1927. The Perrys lived in Southport, named "Easyport" in the book. The Gordons were enchanted: "Set on the lawns were the white painted wooden mansions with their tall Corinthian pillars of wood, deceptive pillars giving such an air of massive dignity that it was a shock to pass under a house under repair and to note how the carpenter, wishing to replace some mouldered pediments, had calmly removed them bodily, leaving the huge fluted columns suspended from the cornice." - and writing of restoration, here is the Perry house today.