What were Jan and Cora Gordon up to a century ago in 1920?
The war was over, they had re-established themselves as artists in Paris (though retaining attics in Bloomsbury), and planned a lengthy expedition to sunny southern Europe. Their five month excursion to Spain produced many works of art and a book, "Poor Folk in Spain," initiating the "Two Vagabonds" series which made them famous.
Cora Gordon wrote, "Jan had conceived a passion for the Spanish guitar during the war and was determined to sample the music of this instrument at source .." and visit Spain they then did. The book relates numerous amusing incidents from their time there.
An exhibition of the paintings produced during the time in Spain took place at the Burlington Gallery at the beginning of 1921.
One specific guitar figured strongly in the book. "I have an old guitar. It is a unique instrument, none other like it has ever been seen in Spain" said the man who sold the guitar to Jan (Poor Folks in Spain, pg. 233). "The guitar was of a strange form and with a scrolled head, the curve of its shape having some of the beauty to be found in negro sculpture" (pg. 238).
For me personally, the book represents a strong connection with the Gordons. As a child, I heard stories about the Gordons and Spanish guitars related to their Spanish journeys. In 2009, following the death of my mother, I took the family on a trip to southern Spain to retrace some of the steps taken by the Gordons. The household also contains two guitar players.
The Times (October 13, 1922) contains a note on the impending release of the book,
"Poor Folk in Spain, by Jan and Cora Gordon, which Messrs. John Lane have nearly ready, contains the unconventional record of a vagabond journey made by two artists, who, feeling an imperative need of escape to some sunny place where the war had not been, were finally decided by an exhibition of Spanish landscapes by Wyndham Tryon. Their narrative is not a book about Spain in the ordinary sense of the word : it is a book about themselves, with Spanish peasants and villages in the background, and reproductions from their own sketches."
In addition to travelling and painting, Jan was busy writing art criticism, such as his commentary on sculpture by Jacob Epstein. He also gave public talks on Modern Art.
Jan Gordon's own wartime art was also reviewed by others, such as the discussion by Ezra Pound.
Both Jan and Cora published images from Cornwall, Jan his "Small Coast Town" painting in Colour magazine, and Cora a woodcut of Sennen Cove in The Apple (we visited the area in 2014).
A highly productive year, 1920 set them up for the decade ahead, filled with travels, all to be recorded in paintings and a successful series of engaging books.
ReferencesJan and Cora Gordon: Guitars in Spain
March 11, 2014
Jan Gordon and Bernard Meninsky: Mother and Child (1920)
March 11, 2014
Jan Gordon: "Small Coast Town" In "Colour" Magazine
May 07, 2014
Cora J. Gordon: Sennen Cove and "The Apple" 1920
July 28, 2014
Jan Gordon on Sculpture by Epstein, 1920
February 14, 2015
Jan and Cora Gordon, Pictures of Southern Spain at the Burlington Gallery 1921
March 07, 2015
Jan and Cora Gordon, A 1922 First Edition Cover
March 17, 2015
Jan and Cora Gordon, Guitars in London
March 28, 2015
A Comment on Jan Gordon and Bernard Meninsky's "Mother and Child," April 16th 1920
January 26, 2016
Ezra Pound on Jan Gordon's War Paintings, 1920
February 03, 2016
Jan and Cora Gordon "Painting under Difficulties" 1922 Spain
December 09, 2017
A 1920 Jan Gordon talk on Modern Art - "A Fierce Battle of Words!"
June 09, 2018