Here are more than 200 posts on Jan and Cora Gordon; famous travellers, writers, artists and musicians in the first half of the 20th century. They were articulate witnesses to the cultures and events of Europe and the USA from before WW1 to just after WW2. The abundance of primary materials presented here should make this a powerful resource for researchers. For a structured overview of the lives and works of the Gordons, please visit: http://www.pbase.com/hajar/art_of_jan_and_cora_gordon
Perhaps these are just doodles, but they almost have the feel of fashion drawings. For example, "Features from August 1929 and Spring 1930 in Britannia and Eve depicted the high modernity of late 1920s fashions in the popular illustrative style of the period, with abstracted, sharply delineated faces drawn in side or three-quarter profiles. Shoulders were square, figures were long and slim with few curves." (Buckley & Fawcett 2002).
Entertaining to discover these fragmentary sketches and sense their spontaneity.
The menu of what was simply an ordinary lunch in Sweden will astonish most people as it certainly astonished these two clever itinerants, Jan and Cora Gordon, who have just published "Two Vagabonds in Sweden and Lapland."
Swedish men and women, we are told, eat breakfast at eleven and lunch at four. The variety and magnitude of the viands on the luncheon table suggests baronial feasts of the Middle Ages.
In a hotel dining-room the first thing that strikes the eye is the large table, centred with a mountain of butter, which is flanked by tall stands upon which various kinds of bread are heaped—hard bread, black bread, hon…
"There is a delicious irresponsibility about the newest book on Spain, "Poor Folk in Spain," by Jan and Cora Gordon, 12s. 6d.. published by the Bodley Head, and some of the illustrations are funny enough to remind one of Heath Robinson.
The pictures the Gordon have brought back with them to England each have a history. Here are some quotations from the book that will show you some of the difficulties of painting in Spain :
Skirting the fonda wall, I found a corner which seemed secluded, and, sitting down, I began to paint an old woman and her fruit stall. One by one a few people gathered behind me. Blas, the gipsy musician, came up, greeted me, and added his solid presence to the spectators. A baker c…
The Sketch of Wednesday 26 March 1919 makes mention of an exhibition of Jan Gordon's art works at the Little Art Rooms, Duke Street, London.
Marthe Troly-Curtin writes,
"I have an idea that many of the fancy costumes worn at the Razzle-Dazzle Ball on the 12th were inspired by the show of dazzle ships which Jan Gordon, Lieutenant R.N.V.R., is having at the Little Art Rooms in Duke Street. I searched there in vain for some works by Jo Gordon too, as generally Jan and Jo are as inseparable in art as they are in life but "Jo" explained quaintly to me that they are trying the experiment of being "cats that walk on their lone" as regards picture shows only!"
The exhibition of water colours ("War and Peace") she mentions was reported on by P.G. Konody (The Observer, March 16, page 9), Jan Gordon's mentor at "The Observer." Konody wrote:
"He, too, has been attracted by the witchery of the "Dazzleship" which seems to draw…