Here are more than 200 posts on Jan and Cora Gordon; famous travellers, writers, artists and musicians in the first half of the 20th century. They were articulate witnesses to the cultures and events of Europe and the USA from before WW1 to just after WW2. The abundance of primary materials presented here should make this a valuable resource for researchers. For a structured overview of the lives and works of the Gordons, please visit: http://www.pbase.com/hajar/art_of_jan_and_cora_gordon
Perhaps these are just doodles, but they almost have the feel of fashion drawings. For example, "Features from August 1929 and Spring 1930 in Britannia and Eve depicted the high modernity of late 1920s fashions in the popular illustrative style of the period, with abstracted, sharply delineated faces drawn in side or three-quarter profiles. Shoulders were square, figures were long and slim with few curves." (Buckley & Fawcett 2002).
Entertaining to discover these fragmentary sketches and sense their spontaneity.
Dazzle painting of ships has fascinated many since its first deployment during WW1, spawning numerous articles, books and imitations. The artist and writer Jan Gordon was one of the original protagonists; he designed dazzle patterns, wrote about the principles and practice of the art, and remembered those days fondly when later dedicating one of his books to a dazzle painting colleague, Steven Spurrier. One of the dazzle designs produced by Jan Gordon was that for HMS Southampton and I discuss below the available information on this design. I also recently bought the book " A Naval Lieutenant 1914-1918," which gives an account of the wartime experiences of the Southampton, with several contemporary comments on camouflage and dazzle. Camouflage of ships in WW1 At the beginning of WW1 in 1914 , Stephen King-Hall (as "Etienne"), serving on HMS Southampton , recalled, " After the big sweep we all went to Loch Ewe to coal, and here I remember noticing the ba
Jan and Cora Gordon visited Albania in the summer of 1925 and in 1927 published the book " Two Vagabonds in Albania ." Two phrases from this book resonated when I first read it: " Now and again a wolf howled from far away, and somewhere a kid, lost or smelling some wolf-taint in the air, bleated with persistent terror " pg. 138. and " As we came down into the cultivated fields of the valley we found ourselves walking through clouds of red-winged grasshoppers, which sprang up on all sides with a clattering flight ." pg. 139 The book begins with "Don't stay in Durazzo." From Durazzo they made a clockwise loop to the south, passing through Tirana, Elbasan, Berat, Kelcyre, Permeti and Gjinokastro before returning north to Tirana. The second leg of the journey was an excursion to the north, from Scutari up into the mountains. Map of prominent places visited on the southern loop described in "Two Vagabonds in Albania"
Jan and Cora Gordon 's first book told the story of the Serbian retreat during 1915 . The account of how the book came to be written and published can be read here . They returned to the area the following decade and in 1925 published the story of the journey as " Two Vagabonds in the Balkans ." I own a rare copy of this book, complete with its green dust cover. The cover displays the following enticing text: " Readers of "Poor Folk in Spain" and their other delightful travel-books know Jan and Cora Gordon as the most accomplished and attractive of artist-vagabonds. They do not travel as others do ; they invariably get away from the beaten track and fraternise instinctively with the people. "Two Vagabonds in the Balkans" is an account of their journey through Bosnia, Herzegovina and Montenegro, and gives a vivid and unforgettable picture of that little-known and picturesque part of Europe. The illustrations are as racy and as full of humour as