Here are more than 200 posts on Jan and Cora Gordon; famous travellers, writers, artists and musicians in the first half of the 20th century. They were articulate witnesses to the cultures and events of Europe and the USA from before WW1 to just after WW2. The abundance of primary materials presented here should make this a valuable resource for researchers. For a structured overview of the lives and works of the Gordons, please visit: http://www.pbase.com/hajar/art_of_jan_and_cora_gordon
Jan Gordon: A Sketch for a Portrait
It's always fun to see the sketches made by an artist before producing a finished portrait.
I found the following sketch in the backing of a framed etching by Jan Gordon. It shows Ashley Smith (my grandfather) sitting in a chair in his London home, cross-legged, reading a book.
The chair is shown face on, with Ashley Smith swivelled to his left. Few lines are used.
In the finished portrait, Ashley is shown from his left, leaning forward to read the book, cigarette in mouth. One of the chair's clawed wooden front feet can be seen together with the chair's green upholstery. The corner of an old Persian rug is visible just in front of Ashley's well-polished shoes.
The chair in the picture still survives in the family, now upholstered in red, as it has been as far back as I can remember.
Ashley with wife Doris visited the Gordons' studio in Paris in 1922 and 1923 and Jan and Cora Gordon visited Ashley and Doris in London during 1925 where they had an exhibition at the XXI Gallery. They seem to have drifted apart during the early 1930s. For a way into the art, writings, musicianship and contemporaries of Jan and Cora Gordon see Art of Jan and Cora Gordon.
in 1966 Myron Nutting remembered Jan and Cora Gordon as among the friends in Paris that they enjoyed the most, "because they were really good fun ... and also were highly cultivated people with interests in all sorts of things. They were good musicians. He was well educated and could discuss any subject, and he saw the humor of life."
"They were not producing anything of any vast importance but they enjoyed doing their work, which was writing. They made their living with their books, and every year they got out a travel book. Also h…
This July we visited the lovely small town of Sennen Cove in Cornwall. You can look down on the village from a ridge at the top of the hill, a view painted by Jan Gordon in his "Small Coast Town."
I have a copy of the first volume of "The Apple (of Beauty and Discord)" and on the fourth page can be found a reproduction of a woodcut by Cora Gordon showing part of the town of Sennen Cove.
Cora Gordon woodcut of Sennen Cove in "The Apple (of Beauty and Discord)"
The woodcut shows the closely spaced stone houses and the breakwater made of granite blocks. The Roundhouse can also be seen. The view is very similar today. We clambered over the breakwater and explored some of the rock pools.
This is the Sennen Cove breakwater seen in Cora Gordon's woodcut, here shown with two of the grandchildren of Jan Gordon's godson.
"The Apple" was a very short-lived publication with only two volumes issued, in 1920 and 1921. The title refers to the Golden A…
The Liverpool Daily Post of Thursday 06 March 1941 carried a commentary by Jan Gordon on a London exhibition of works by the Swiss-born Paul Klee (18 December 1879 – 29 June 1940).
SURREALISM AGAIN: Paul Klee’s Art By Jan Gordon
"An exhibition of works by the German-Swiss artist, Paul Klee, whose death in Switzerland last year passed almost unnoticed, has just been opened at the Leicester Galleries. It is not an exhibition which the normal spectator will easily understand. In fact, one might say that passing round the walls hung with Klee’s small, strange works, he will come at last —if he lasts so long—to a drawing. No. 49. It represents roughly a head. There is a vague, twisted, bothered face, but the brain-pan has been ploughed up into blocks. If the spectator will give this little longer consideration, he may come to feel that it just about represents his own state of mind after having gone round some forty of Klee’s paintings. For Klee is, no doubt, the most apparently chil…