Here are more than 200 posts on Jan and Cora Gordon; famous travellers, writers, artists and musicians in the first half of the 20th century. They were articulate witnesses to the cultures and events of Europe and the USA from before WW1 to just after WW2. The abundance of primary materials presented here should make this a valuable resource for researchers. For a structured overview of the lives and works of the Gordons, please visit: http://www.pbase.com/hajar/art_of_jan_and_cora_gordon
Jan Gordon and Pablo Picasso
In March 2013 we visited the Picasso Black and White exhibition at the Museum of Fine Arts Houston. The range of styles on show was remarkable, from coolly classical to astonishingly abstract. "Head of a Man" 1908 looks like a Fang Ngil maskfrom Gabon. The several studies for “Guernica” reminded me of a visit to that town in 1994 (studying the nearby geology), looking quiet and peaceful on a sunny day and giving no hint of the Luftwaffe's horrific bombing in 1937.
He wrote, “Picasso – Pablo Ruiz is his real name – is the most vivid and and the most dramatic personality which has come into the art of today.”
“Picasso may well be considered as the problem of modern art. He has bewildered the public by the variety of and the differences between his artistic phases. An exhibition of haphazard Picassos, such as that held at the Leicester galleries, looks like the work of a group of five or six men who have scarcely an obvious idea between them. Monsieur Coquiot, the often subtly malicious author of “Les Indépendants,” calls Picasso a chameleon and the epithet seems not unearned.”
However, Jan Gordon continued, "Picasso, is a chameleon with some internal-illuminant, he often reflects a borrowed colour more strongly than he has received it.”
Marie-Thérèse, Face and Profile 1931
Jan Gordon reproduced two Picasso works in his book, "Three Nudes" and "The Red Cloth" (1922).
We walked out of the Houston exhibition of 118 works (made between 1904 and 1970) last Saturday with this same impression of Picasso as a chameleon, but also with a sense of wildly restless experimentation.
in 1966 Myron Nutting remembered Jan and Cora Gordon as among the friends in Paris that they enjoyed the most, "because they were really good fun ... and also were highly cultivated people with interests in all sorts of things. They were good musicians. He was well educated and could discuss any subject, and he saw the humor of life."
"They were not producing anything of any vast importance but they enjoyed doing their work, which was writing. They made their living with their books, and every year they got out a travel book. Also h…
The Liverpool Daily Post of Thursday 06 March 1941 carried a commentary by Jan Gordon on a London exhibition of works by the Swiss-born Paul Klee (18 December 1879 – 29 June 1940).
SURREALISM AGAIN: Paul Klee’s Art By Jan Gordon
"An exhibition of works by the German-Swiss artist, Paul Klee, whose death in Switzerland last year passed almost unnoticed, has just been opened at the Leicester Galleries. It is not an exhibition which the normal spectator will easily understand. In fact, one might say that passing round the walls hung with Klee’s small, strange works, he will come at last —if he lasts so long—to a drawing. No. 49. It represents roughly a head. There is a vague, twisted, bothered face, but the brain-pan has been ploughed up into blocks. If the spectator will give this little longer consideration, he may come to feel that it just about represents his own state of mind after having gone round some forty of Klee’s paintings. For Klee is, no doubt, the most apparently chil…
I smiled last Saturday as we found ourselves taking part in an earnest time-share sales presentation in San Diego, succumbing to some insistent and misleading salesmanship, quite alien in style and content to anything a Brit would have come across at home.
".. every real estate firm, in an agony of cut-throat competition, was trying to catch every 'tourist' as he arrived with his savings, to induce him if possible to invest his money in land before he could discover the real conditions. All along the streets near the centre of the town large rubber-neck wagons waited to abduct the wandering visitor. Young and often charming women pounced upon one from doors, waving prospectuses and promising free drives, free lunches and the rest."