Here are more than 200 posts on Jan and Cora Gordon; famous travellers, writers, artists and musicians in the first half of the 20th century. They were articulate witnesses to the cultures and events of Europe and the USA from before WW1 to just after WW2. The abundance of primary materials presented here should make this a powerful resource for researchers. For a structured overview of the lives and works of the Gordons, please visit: http://www.pbase.com/hajar/art_of_jan_and_cora_gordon
Jan and Cora Gordon: Portraits by Howard Coster and Madame Yevonde
There are also two individual portraits which were made by well known photographers of the 1920s and 1930s, these being Howard Coster and Madame Yevande.
Jan Gordon by Howard Coster
Howard Coster (1885 - 1959) was a successful London photographer who specialised in photographic portraits of men. He opened a studio at 8 and 9 Essex Street, London in 1925. His most iconic image was of A. A. Milne with his son Christopher Robin Milne and Pooh Bear, at Cotchford Farm, Sussex.
Cora Gordon by Madame Yevande
Madame Yevande was the professional name of Yevande Cumbers Middleton (1893 - 1975). She had joined the suffragette movement in 1910. After a three year apprenticeship with Lallie Charles she set up her own studio at 92 Victoria Street, London, at the age of 21. She is remembered for developing colour portrait photography in the 1930s.
The above two portraits can be found on the dust jacket of the 1939 Penguin edition of "Two Vagabonds in Serbia and Montenegro."
The menu of what was simply an ordinary lunch in Sweden will astonish most people as it certainly astonished these two clever itinerants, Jan and Cora Gordon, who have just published "Two Vagabonds in Sweden and Lapland."
Swedish men and women, we are told, eat breakfast at eleven and lunch at four. The variety and magnitude of the viands on the luncheon table suggests baronial feasts of the Middle Ages.
In a hotel dining-room the first thing that strikes the eye is the large table, centred with a mountain of butter, which is flanked by tall stands upon which various kinds of bread are heaped—hard bread, black bread, hon…
"There is a delicious irresponsibility about the newest book on Spain, "Poor Folk in Spain," by Jan and Cora Gordon, 12s. 6d.. published by the Bodley Head, and some of the illustrations are funny enough to remind one of Heath Robinson.
The pictures the Gordon have brought back with them to England each have a history. Here are some quotations from the book that will show you some of the difficulties of painting in Spain :
Skirting the fonda wall, I found a corner which seemed secluded, and, sitting down, I began to paint an old woman and her fruit stall. One by one a few people gathered behind me. Blas, the gipsy musician, came up, greeted me, and added his solid presence to the spectators. A baker c…
The Sketch of Wednesday 26 March 1919 makes mention of an exhibition of Jan Gordon's art works at the Little Art Rooms, Duke Street, London.
Marthe Troly-Curtin writes,
"I have an idea that many of the fancy costumes worn at the Razzle-Dazzle Ball on the 12th were inspired by the show of dazzle ships which Jan Gordon, Lieutenant R.N.V.R., is having at the Little Art Rooms in Duke Street. I searched there in vain for some works by Jo Gordon too, as generally Jan and Jo are as inseparable in art as they are in life but "Jo" explained quaintly to me that they are trying the experiment of being "cats that walk on their lone" as regards picture shows only!"
The exhibition of water colours ("War and Peace") she mentions was reported on by P.G. Konody (The Observer, March 16, page 9), Jan Gordon's mentor at "The Observer." Konody wrote:
"He, too, has been attracted by the witchery of the "Dazzleship" which seems to draw…